The introduction of ikat wrap technique further enhances the background colour (warp) that was traditionally plain. This technique brings the songket to life with its nuances of harmonious shades complimenting the multi-colour metallic yarns. As one observe in the picture below, one cannot help but feel enlightened with the interplay of colours, light and gentle shadow of the gilded cloth.

The method to weaving a songket has remained virtually unchanged over the centuries. The Malay frame loom, still used at Bibah Songket to produce exquisite songket, has its origin that traces back to the 16th century. In those early days, back-strap loom were use to produce intricate designs and motifs. However, in weaving a fine silk songket, greater controls were required thus the introduction of European frame loom.

The Malay weavers added an additional structure to the loom - a fine comb where the warps could be passed through, separated and kept in even spaces. This customised method resulted in the immense ease of setting up a plain silk warp and creating patterns with the weft thread without restraining the creativity of the weaver.